CD Review of HACK by Daniel Schwewiger of Film Music Weekly
"And while it's only a bunch of film students running from a movie-crazed killer in Scott Glasgow's score for Hack, the composer uses the opportunity to pay tribute to such current, malefic maestros as Marco Beltrami and Danny Elfman, all with the kind of shrieking chords and playfully dark orchestrations that have filled such horror flicks as Scream and Psycho. But Glasgow's got the horror stones to pay tribute without doing a sound-a-like, showing he's got his own darkly thrilling voice that can evoke past chillers while remaining its sinister own."
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"Ain't It Cool News" review of "Robotech: The Shadow Chronicles" movie
Review #1 (Darkwater):
"The music, simply put, is unbelievable. This score will make you keep your full attention, even when you're having trouble following the story or the animation isn't blowing you away. This music is definitely the movie's saving grace."
"A close listener to movie's score will hear influences from John Williams, Jerry Goldsmith, and Hans Zimmer, just to name a few."Review #2 (Slop Reilly):
"Scott Glasgow's score is beautiful. He was able to take the original theme music and make it both nostalgic and fresh all at the same time. Scott should be commended."
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CD Review of Chasing Ghosts on Tracksounds.com
"...in CHASING GHOSTS, there are those moments that appropriately descend into the range of morbid-nothingness; however, there are many of fiery intensity and subdued beauty scattered throughout the soundtrack."
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Anime Network News review of Robotech: TSC
"The score, by Scott Glasgow, is the sort of orchestral highlight almost required by space operas, and it adds real excitement to many of the space battle sequences."
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Robotech: The Shadow Chronicles" movie review on USA voice
"Finally and most impressively is the music."
" Scott Glasgow does an exceptional job at taking the existing Robotech score and reimagining the music on a much grander scale."
" Performed by the Prague Philharmonic the music is on a par with the biggest of names in movie soundtracks like John Williams and Alan Silvestri."
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"Chasing Ghosts" CD review on Sountrack.net
"The cleverness of the writing and the mastery of film composition on display here earn the score a solid four stars."
"Glasgow is another young composer to watch out for."
"The movie, Chasing Ghosts, may not be reaping in any awards for originality, but its score is a different beast."
"Its style could be classified as "Classical Industrialism": it is cerebral, cold, detached, and inventive, highly percussive and urban, with a driving Classical elegance behind it."
"Glasgow's achievement is not only in crafting little details in cues that could be mundane in other hands, but also in making full use of the soundscape."
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"Chasing Ghosts" CD review on ScoreWars.com
"This dark music is one area where Glasgow excels; it is purposefully driven but full of sad overtones. Indeed, "sad" music seems to be another of his special talents, showcased in the string adagio of 'Lament' and the overwhelming, shimmering climax of 'Karis'."
"It could be said that Glasgow has a gift some modern composers are missing- the ability to underscore the emotion behind a scene and not just the action on-screen."
"If you enjoy dark and brooding yet well-structured and thought out music, get the album."
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"Chasing Ghosts" CD review on Soundtrack Collector.com
"Scott Glasgow recently emerged as one of the most exciting new composers scoring films in Los Angeles.
"Glasgow has a strong personal voice and writes music that has a strong emotional quality.
"The 'Interrogation for Violin and Orchestra' piece featured on the Chasing Ghosts soundtrack is only one example of his rich and unique voice."
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"Chasing Ghosts" CD review on Filmmuziek.com
8 out of 10 stars ******** (reviewed)
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